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Friday 7 April 2006

The Friday Playlist 1

The Friday playlist:

The Open – Statues

The Liverpool band’s second album begins with a track recorded in deepest Wales – yearning trumpet and a voice that comes from god knows where. This is a classic track called ‘forever’ which is one of the best album openers I have heard in ages. The second track takes us into more familiar Liverpool music scene. But the rest of the album which was recorded in France, is full of surprises. There’s prog rock, radiohead, jazz and straight-ahead pop. It’s a great album which grows with each play. Their first album “The Silent hours” is one of the best first albums I have heard in years.

Doves – Lost Souls

I’ve spent the last few months working my way backwards through the Doves’ back catalogue. This, their first album from 2000, is fantastic.

Neil Young – Prairie Wind

This is taking a bit of playtime to get to – I have problems with the sound of country, and this album is full of steel guitar. Great songs, as you’d expect. Neil Young reacting to the health scare he experienced in the middle of working on the album. Sometimes the albums that stay on the playlist are the ones that aren’t instant –this could be one of those.

Robert Fripp – Love cannot bear

I love the soundscape albums of Fripp, and this one is the best yet. It gathers tracks from across the years, each a live track from the USA. The result is a journey of immense emotional intensity.

Nitin Sawhney – Philtre

World travelling from the UK – a stunning melding of influences. This is the fourth album by Sawhney that I have bought recently. I find his music fascinating. Sometimes you hear music and think that it sounds like a soundtrack and lacks the visuals of a film. With Sawhney it sounds like a soundtrack that doesn’t need a film.

Also listening to:

The Tears – Here come the tears
Morrissey – Vauxhall and I
Sigur Rós – Takk
The Jam – Snap!
Paul Weller – Stanley Road

Thursday 6 April 2006

Setting goals

“The greatest danger for most of us
is not that our aim is too high and we miss it,
but that it is too low and we reach it”
- Michelangelo