'Paris Transatlantic' is an online magazine. I originally found it and posted a link to it a couple of years ago, on an earlier weblog.
If you are interested in new music, contemporary, electronica and jazz it is well worth a visit. It would appeal to anyone who wants to explore sounds and names that they are unlikely to have heard of before. The editing of the magazine is handled by a team of people including Nate Dorward (who also edits an excellent poetry magazine) and Dan Warburton who has written for Wire magazine for a few years now. Dan Warburton has also produced music for the online stasisfield music label, which I love.
The magazine comes out monthly and is worth a surf when you have a few minutes to spare.
(From the 'things i found' archive)
Relocating - please follow the link for new content
This archive will stay here - but you can find new posts (as well as this archive) at my new website which is at http://www.stuarteglin.com/. It's the new home for Stuart Eglin Online - including the blog, musings, and details of the publications and services which I have available. Take a look - it's worth a visit!
Friday, 9 March 2007
Friday, 2 March 2007
Friday Playlist 3
It's been a while since I did one of these - a list of the albums I am listening to at the moment. (Earlier ones are here and here).
The music which is forming the soundtrack for my life at the moment is:
1. Nine Horses - Money for all
I bought the original album 'Snow Borne Sorrow' a while back when it came out. This new release is a mixture of new tracks (3 of them) and remixes of tracks from the album. David Sylvian works well in the mix with Steve Jansen and Burnt Friedman. It's a CD which slowly burns into your memory banks and demands replays.
2. Tom Waits - Orphans
This had such amazing reviews, that I couldn't wait to get hold of a copy. I got it for Christmas, and have been dipping into it ever since. Three hours of Tom Waits, meandering all over his various muscial styles, voices and topics. The third CD is probably the weirdest (saying something where Waits is concerned!) as it mixes stories, poems and soundtrack outtakes. The whole CD set is a mammoth thing which surprisingly hangs together.
3. Ketil Bjornstad /David Darling - Epigraphs
This is a stunning album of improvisations between piano and cello. It shifts from modern ambient, cool jazz to echoes of Bach and Mozart. Great music for thinking and creating.
4. Joanna Newsom - Ys
It's an epic album, full of stories and threads of ideas. The orchestration by Van Dyke Parks is amazing and the whole thing is a labryinth which reveals new secrets on each listen.
5. Joanna Newsom - The Milk Eyed Mender
Well, the new album took me into the first one. This is a much starker arrangement. Her voice is somewhere between Bjork, Kate Bush and Tori Amos. But it has its own unique territory too! I love the lyrics, and I love the arrangements for each song.
6. Badly Drawn Boy - About a Boy
I know he has a new album out - and no, I haven't heard it yet. But I saw the film of which this is the soundtrack again recently, and was drawn back to this album. Damon Gough carves out his own furrow. But above all else, he writes great melodies. I absolutely love the song 'Silent Sigh', used at a particularly painful moment in the film.
7. Fennesz - Endless Summer
I came to Fennesz's work through a collaboration he did with David Sylvian. He is a guitarist and laptop improviser from Austria. This album is truly beautiful - it rises gently out of a backround of noise and captures you like a stunning sunrise on a crisp morning.
8. John Cale - Black Acetate
An eclectic mix of styles, some killer riffs and a giant bag of seething energy. And the production is stunning. I'm not particularly precious about production values - but this one just reaches out of the speakers and grabs you by the throat.
9. Paul Weller - Stanley Road
I'm not sure how I missed this when it first came out. Last year I bought the anniversary edition and have listened to it so many times since. What a classic album!
10. Sigur Ros - Takk
I know I have chosen this album before on this blog, but it really does tease out new things on each listen. Earlier this week I spent an evening listening really carefully to it through headphones and there is so much going on in the mix that I hadn't heard before.
The music which is forming the soundtrack for my life at the moment is:
1. Nine Horses - Money for all
I bought the original album 'Snow Borne Sorrow' a while back when it came out. This new release is a mixture of new tracks (3 of them) and remixes of tracks from the album. David Sylvian works well in the mix with Steve Jansen and Burnt Friedman. It's a CD which slowly burns into your memory banks and demands replays.
2. Tom Waits - Orphans
This had such amazing reviews, that I couldn't wait to get hold of a copy. I got it for Christmas, and have been dipping into it ever since. Three hours of Tom Waits, meandering all over his various muscial styles, voices and topics. The third CD is probably the weirdest (saying something where Waits is concerned!) as it mixes stories, poems and soundtrack outtakes. The whole CD set is a mammoth thing which surprisingly hangs together.
3. Ketil Bjornstad /David Darling - Epigraphs
This is a stunning album of improvisations between piano and cello. It shifts from modern ambient, cool jazz to echoes of Bach and Mozart. Great music for thinking and creating.
4. Joanna Newsom - Ys
It's an epic album, full of stories and threads of ideas. The orchestration by Van Dyke Parks is amazing and the whole thing is a labryinth which reveals new secrets on each listen.
5. Joanna Newsom - The Milk Eyed Mender
Well, the new album took me into the first one. This is a much starker arrangement. Her voice is somewhere between Bjork, Kate Bush and Tori Amos. But it has its own unique territory too! I love the lyrics, and I love the arrangements for each song.
6. Badly Drawn Boy - About a Boy
I know he has a new album out - and no, I haven't heard it yet. But I saw the film of which this is the soundtrack again recently, and was drawn back to this album. Damon Gough carves out his own furrow. But above all else, he writes great melodies. I absolutely love the song 'Silent Sigh', used at a particularly painful moment in the film.
7. Fennesz - Endless Summer
I came to Fennesz's work through a collaboration he did with David Sylvian. He is a guitarist and laptop improviser from Austria. This album is truly beautiful - it rises gently out of a backround of noise and captures you like a stunning sunrise on a crisp morning.
8. John Cale - Black Acetate
An eclectic mix of styles, some killer riffs and a giant bag of seething energy. And the production is stunning. I'm not particularly precious about production values - but this one just reaches out of the speakers and grabs you by the throat.
9. Paul Weller - Stanley Road
I'm not sure how I missed this when it first came out. Last year I bought the anniversary edition and have listened to it so many times since. What a classic album!
10. Sigur Ros - Takk
I know I have chosen this album before on this blog, but it really does tease out new things on each listen. Earlier this week I spent an evening listening really carefully to it through headphones and there is so much going on in the mix that I hadn't heard before.
Wednesday, 28 February 2007
He's Mark Rushton, He makes music and art
I have been following the work of Mark Rushton for a couple of years now. He used to run a website called 'Hooray for Vouvray' and then migrated all of his activities to his own domain. As well as creating ambient and drone music, he is also a painter. He produces a new podcast every month or so with samples of the music he is working on. Well worth a listen.
One thing I particularly like about the site, is watching someone who is clearly following their passion.
One thing I particularly like about the site, is watching someone who is clearly following their passion.
Sunday, 11 February 2007
10,000 readers
Earlier today this weblog received its 10,000th visitor. That is cause for a small celebration - OK, only for a minute. This happens at a time when things have been incredibly quiet here. Well, that will change soon. I am in the middle of plans to overhaul this site. At the moment it is a mixture of posts on music, poetry, self-development, technology and many other issues. Plus a few photos. I'm going to develop the site as a series of channels - using blogger's label feature, so that visitors can choose their channel and explore from there.
Friday, 2 February 2007
Gurteen Knowledge Seeds
This is brilliant! I attended a Workshop a couple of years ago, run by David Gurteen. I also subscribe to his monthly e-newsletter. Follow the link and you will find a page with a button on it. Click the button, and a small window opens where ideas will be posted at an interval which you can choose. The ideas range from quotes, to suggestions, or book references. Try it.
It's a great way to get inspiration moving. But do be warned - if you are easily distracted like I am, you will need to time its use very carefully.
This is the first of a series of posts taken from a parallel weblog which I ran for a while called "Things I found". It was a place I used to keep links to interesting things on the internet. Now that blogger has labels I can do this within the main blog!
It's a great way to get inspiration moving. But do be warned - if you are easily distracted like I am, you will need to time its use very carefully.
This is the first of a series of posts taken from a parallel weblog which I ran for a while called "Things I found". It was a place I used to keep links to interesting things on the internet. Now that blogger has labels I can do this within the main blog!
Monday, 22 January 2007
because the light faded when it should have stayed bright
When at school, nowhere else but the space that was given
And those tighter moments, when the neurosis of the time
Made no more sense than the 70s were supposed to…
Three lines, two times, and once we had become
The glide of a hawk, the times when we captured
All the dreams that had been spinning around outside
And put them in a small leather bag, pressed in tight
So that we could save them for later
Hang on until it all felt right
Dreams are alive in my head now
Good and bad, sad and mad
Wanting to be regrets, urgent needs to do things now
And so I jump out of the plane, ask rather than waiting
Sing rather than whisper, let go rather than clutch
And think that it is all too much, too particular…
And those tighter moments, when the neurosis of the time
Made no more sense than the 70s were supposed to…
Three lines, two times, and once we had become
The glide of a hawk, the times when we captured
All the dreams that had been spinning around outside
And put them in a small leather bag, pressed in tight
So that we could save them for later
Hang on until it all felt right
Dreams are alive in my head now
Good and bad, sad and mad
Wanting to be regrets, urgent needs to do things now
And so I jump out of the plane, ask rather than waiting
Sing rather than whisper, let go rather than clutch
And think that it is all too much, too particular…
Tuesday, 31 October 2006
Tuesday, 12 September 2006
The importance of scarcity
I have an idea for an article which I am going to write. The title is "Being overwhelmed with musical choice - the importance of scarcity" and it will be about the dilemma created by the digital age. Thanks to the internet and digital files, there is more choice than we have ever experienced. This seems like an incredible opportunity. All that music, all those podcasts to listen to, all those audio books, all those text files.
But the down-side of all this is that we reach saturation point where it is no longer possible to take in everything that we collect. Look at the total time-span of all the material loaded onto the mp3 player and ask yourself whether you really do have the time to listen to everything that is on it.
The result of all this is that music and literature become disposable. I remember back in the 70s and 80s buying a vinyl record every so often and making a real commitment to listen to it and absorb it, get to know it. Now there are so many new albums being released every week. This democracy is great, but it does mean that only the truly and incredibly special gets through to my ears.
The resulting feeling reminds me of the feeling I used to get as a teenager late on a Saturday after I had been listening to the radio for a whole day and was just beyond saturation point, jaded and in desperate need of silence.
But the down-side of all this is that we reach saturation point where it is no longer possible to take in everything that we collect. Look at the total time-span of all the material loaded onto the mp3 player and ask yourself whether you really do have the time to listen to everything that is on it.
The result of all this is that music and literature become disposable. I remember back in the 70s and 80s buying a vinyl record every so often and making a real commitment to listen to it and absorb it, get to know it. Now there are so many new albums being released every week. This democracy is great, but it does mean that only the truly and incredibly special gets through to my ears.
The resulting feeling reminds me of the feeling I used to get as a teenager late on a Saturday after I had been listening to the radio for a whole day and was just beyond saturation point, jaded and in desperate need of silence.
Monday, 11 September 2006
Standing Stones in Corsica
Thursday, 7 September 2006
Space Age Accommodation
I'm away at a two-day conference at the University of Hertfordshire. This is the first time I have spent the night in a university hall of residence room since I was a student 25 years ago!
Things have changed. The campus itself is comprised of a cluster of spectacular statements and feats of architecture. The accommodation itself was in a building shaped like a third of a giant ring doughnut with rooms on four floors looking in to a central courtyard.
This university used to be called Hatfield Polytechnic - a poly with a real history. It also hosted a great venue for music in the 70s and 80s.
Two exhausting days later I find myself home again, easing myself through a day, picking up the actions that came out of the event and clearing the eternal backlog of email.
Things have changed. The campus itself is comprised of a cluster of spectacular statements and feats of architecture. The accommodation itself was in a building shaped like a third of a giant ring doughnut with rooms on four floors looking in to a central courtyard.
This university used to be called Hatfield Polytechnic - a poly with a real history. It also hosted a great venue for music in the 70s and 80s.
Two exhausting days later I find myself home again, easing myself through a day, picking up the actions that came out of the event and clearing the eternal backlog of email.
Tuesday, 5 September 2006
imagining possibilities
you see, when I was young and writing for all I could find
I read somewhere that it was wrong to use too many words
that end in –ing, so avoided it, wanting to get it right
how stupid though, how the rules that we get are really all
there to be ignored, to be recreated. When word writing
is like sound making, a kingdom where you can become your own king
and king can sing like the ings that are all waiting to be worshipped
or the swings that I sat on and went as high as I could
kicking my feet to the clouds, and feeling the rush of my stomach
whatever direction you take – no, wait – it’s me I’m writing about
take the you away, drift into the inner world of my mind
imaginations that are special, filled with quiet secrets
surely the inner signals that we fill the landscape with, are no
more than the rich resonance of colours and sounds, the
one meaning that fits with a spectacle of memories
now – the kingfisher, the colour blue, the word ‘just’
little ticks that litter these constructions, and the breath
the inward and outward signs of life, of purpose.
I read somewhere that it was wrong to use too many words
that end in –ing, so avoided it, wanting to get it right
how stupid though, how the rules that we get are really all
there to be ignored, to be recreated. When word writing
is like sound making, a kingdom where you can become your own king
and king can sing like the ings that are all waiting to be worshipped
or the swings that I sat on and went as high as I could
kicking my feet to the clouds, and feeling the rush of my stomach
whatever direction you take – no, wait – it’s me I’m writing about
take the you away, drift into the inner world of my mind
imaginations that are special, filled with quiet secrets
surely the inner signals that we fill the landscape with, are no
more than the rich resonance of colours and sounds, the
one meaning that fits with a spectacle of memories
now – the kingfisher, the colour blue, the word ‘just’
little ticks that litter these constructions, and the breath
the inward and outward signs of life, of purpose.
Friday, 1 September 2006
New Blogger Beta
OK, so I'm probably one of a million people (slight exaggeration) to write about the new blogger beta. A lot of changes are promised in this beta phase. I was offered sign up earlier today, so accepted. I haven't made any changes yet. But you can expect a combination of changes and mistakes over the coming weeks as I try to get to grips with what is on offer....
Watch this space .... as they say in all the good periodicals.
Watch this space .... as they say in all the good periodicals.
Friday, 18 August 2006
The Friday Playlist 2
Here are a few albums which I just can't stop playing at the moment:
1. Mark Hollis - Mark Hollis
I have been looking for this album for years. It is the only solo album to date, by the singer from Talk Talk. The later albums by Talk Talk before they split up took them further into the avant garde and painfully beautiful yet minimal sounds. This album continues that journey. The lyrics are sparse, the arrangements stunningly unusual. The use of guitar and piano fragments is haunting. I can't stop listening to it - and continue to muse over the lyrics and the overall atmosphere which is evoked by this music.
2. Thom Yorke - The Eraser
This new album by the singer from Radiohead could almost be companion album to the Mark Hollis one. Except that, where Hollis has a clear focus on acoustic instruments, Yorke uses electronics and laptop for his pre-occupations. The lyrics are similarly oblique. The voice is beautiful. Great voices in modern music always push forward without any sense of the self-conscious. There are some beatiful melodies on this album. Try the title track or 'And it rained all night' to see what I mean. Love it!
3. Clap your hands say yeah - Clap you hands say yeah
I really like this album, in spite of the first track which sounds like some demented circus act. Sometimes I wonder whether anyone ever says to bands, don't use that as the first track, otherwise people might get no further. This is the case with so many REM records - they begin with a 'difficult' track! Anyway, this album settles down into a great sound, somewhere between Talking Heads and Pere Ubu. They also sound very like The Arcade Fire on some tracks, in the way that they wind up through a track, gathering momentum. At times the singer Alec Ounsworth sounds unnervingly like David Byrne. It's an album well worth a listen, and I particularly like the fact that it is about the length of an old vinyl album. Too many albums go on for too long these days...
Other albums I'm listening to, that I have already written about:
4. The Open - Statues
5. Sigur Ros - Takk
Click here for Friday Playlist 1
1. Mark Hollis - Mark Hollis
I have been looking for this album for years. It is the only solo album to date, by the singer from Talk Talk. The later albums by Talk Talk before they split up took them further into the avant garde and painfully beautiful yet minimal sounds. This album continues that journey. The lyrics are sparse, the arrangements stunningly unusual. The use of guitar and piano fragments is haunting. I can't stop listening to it - and continue to muse over the lyrics and the overall atmosphere which is evoked by this music.
2. Thom Yorke - The Eraser
This new album by the singer from Radiohead could almost be companion album to the Mark Hollis one. Except that, where Hollis has a clear focus on acoustic instruments, Yorke uses electronics and laptop for his pre-occupations. The lyrics are similarly oblique. The voice is beautiful. Great voices in modern music always push forward without any sense of the self-conscious. There are some beatiful melodies on this album. Try the title track or 'And it rained all night' to see what I mean. Love it!
3. Clap your hands say yeah - Clap you hands say yeah
I really like this album, in spite of the first track which sounds like some demented circus act. Sometimes I wonder whether anyone ever says to bands, don't use that as the first track, otherwise people might get no further. This is the case with so many REM records - they begin with a 'difficult' track! Anyway, this album settles down into a great sound, somewhere between Talking Heads and Pere Ubu. They also sound very like The Arcade Fire on some tracks, in the way that they wind up through a track, gathering momentum. At times the singer Alec Ounsworth sounds unnervingly like David Byrne. It's an album well worth a listen, and I particularly like the fact that it is about the length of an old vinyl album. Too many albums go on for too long these days...
Other albums I'm listening to, that I have already written about:
4. The Open - Statues
5. Sigur Ros - Takk
Click here for Friday Playlist 1
Tuesday, 15 August 2006
Whenever she says she does
Here is one of the poems which I wrote back in March. I'm about to start writing again. This one stirred me to the page again, and it brought to mind the golden eagles I wrote about in the last post to the blog. The birds in this poem were flying in a massive flock around a railway station as I stood on the platform waiting for a train to arrive:
Whenever she says she does she does
But the light never shines above her head
The way it should – like a veil
I watch the birds, 1028 of them, fly overhead
Like one organism, flexing and changing shape
Creating a mass of darkness in a blue sky surround
The sense of menace is as real as
The sense of plenty that sometimes comes through
Just when I worry about things too much
When the light shines above my own head
I can sometimes pull it down and through
Then the warmth of it all is palpable
Here comes the birds organism again, fifth time around
With each circle of the town, I can feel a little more sense
Understand the way 2056 wings can make a unified sound
Like fingers beating on a microphone as a test –
Pulling patterns together that would be meaningless
Sense, connections, lines between – where the ends meet the means.
Whenever she says she does she does
But the light never shines above her head
The way it should – like a veil
I watch the birds, 1028 of them, fly overhead
Like one organism, flexing and changing shape
Creating a mass of darkness in a blue sky surround
The sense of menace is as real as
The sense of plenty that sometimes comes through
Just when I worry about things too much
When the light shines above my own head
I can sometimes pull it down and through
Then the warmth of it all is palpable
Here comes the birds organism again, fifth time around
With each circle of the town, I can feel a little more sense
Understand the way 2056 wings can make a unified sound
Like fingers beating on a microphone as a test –
Pulling patterns together that would be meaningless
Sense, connections, lines between – where the ends meet the means.
Saturday, 5 August 2006
Fly like an eagle
One day on this holiday we went on a trip through the mountains in Corsica. It is an island of great beauty, and real contrasts.
I stopped the car to take some photos of the mountains - one range looked like something out of 'Lord of the Rings' - and as I was taking the photos I noticed four birds soaring over the valley beneath me.
They were golden eagles, and were calling to each other. Their lilting cry was haunting, stirring to the soul. I remember being captivated by golden eagles when I was young, but never thought I would actually see them flying in the wild. It was an amazing experience.
It left me moved for several hours - their cry really pulled at something primeval within me.
A picture would have shown more than I can describe - but the photos show only landscape, not the birds themselves. I guess I need a better camera.
I stopped the car to take some photos of the mountains - one range looked like something out of 'Lord of the Rings' - and as I was taking the photos I noticed four birds soaring over the valley beneath me.
They were golden eagles, and were calling to each other. Their lilting cry was haunting, stirring to the soul. I remember being captivated by golden eagles when I was young, but never thought I would actually see them flying in the wild. It was an amazing experience.
It left me moved for several hours - their cry really pulled at something primeval within me.
A picture would have shown more than I can describe - but the photos show only landscape, not the birds themselves. I guess I need a better camera.
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